{"product_id":"ricercare-xvi-milano-guitar-pdf","title":"Ricercare (Fantasia) No.16 by Francesco da Milano (PDF)","description":"\u003cp\u003e\u003cstrong\u003eRicercare (Fantasia) No.16 by Francesco Canova da Milano (1497–1543). \u003c\/strong\u003ePDF sheet music for classical guitar with video lesson and performance. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes with both a notation edition with left hand fingering and a separate tab edition in the same PDF.\u003c\/span\u003e Later-Intermediate level (Grade 7). \u003cmeta charset=\"utf-8\"\u003eThis is a PDF Download.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: This score uses F# tuning on the 3rd string.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eFrancesco Canova da Milano (1497–1543) was an Italian lutenist and composer. He was praised throughout Europe as the foremost lute composer of his time. Francesco da Milano left a large quantity of lute music, including fantasias, ricercari and transcriptions of vocal compositions by leading composers of the time. More of his music is preserved than of any other lutenist of the period. A ricercare is an imitative work and, in some ways, a precursor to the Baroque fugue.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eNumbering: Ness No. 16 (Arthur Ness, \u003cem\u003eThe Lute Music of Francesco Canova Da Milano,\u003c\/em\u003e Harvard University Press, 1970). In my edition the same bar length as the original lute tablature has been used. The choice of rhythmic note duration comes from the Ness tablature. The Ness notation uses a more expansive bar structure but easy reference to the bar numbers of the original lute tablature has been deemed more important. Here's my \u003ca href=\"https:\/\/youtu.be\/7BZLrGNuNUc\"\u003eYouTube Link\u003c\/a\u003e if you need to view it there.\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eVideo Performance and Lesson\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ikmIl4LAhps\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy do guitarists use capos and 3rd string F# tuning?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8T3GuBs2PuE\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA bit more info on Milano: \u003c\/strong\u003e“Francesco Canova da Milano (1497–1543) was one of the greatest of all the Italian lute composers. His contemporaries called him “Il Divino”, as they did Michelangelo, and said he played “with such ravishing skill that little by little, making the strings languish under his fingers in his sublime way, he transported all those listening into a pleasurable melancholy”. His music appeared in more than forty publications throughout the century and in six countries; he was earliest of the many Italian musicians who were to become internationally renowned. He served at the court of four popes, starting with the first Medici pope Leo X (who excommunicated Luther and for whom Michelangelo painted the Sistine Chapel).” – Mark Lindley via Naxos (\u003ca href=\"https:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.220401\" target=\"_blank\"\u003e8.220401\u003c\/a\u003e).\u003c\/p\u003e","brand":"Werner Guitar Editions","offers":[{"title":"Default Title","offer_id":6030678720539,"sku":"","price":3.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2382\/6309\/products\/Milano-Ricercare-N16-Cover.jpg?v=1602635505","url":"https:\/\/wernerguitareditions.com\/products\/ricercare-xvi-milano-guitar-pdf","provider":"Werner Guitar Editions","version":"1.0","type":"link"}